Whenever somebody asks “what’s the best microphone” the response is normally “well it depends what you’re recording.” Rode’s new VideoMic Go II, because the identify suggests, wouldn’t be appropriate for podcasting. Would it?
Very clearly, the VideoMic Go II was designed to sit down atop a digicam. That’s only a reality, however with USB and three.5mm outputs and compatibility with Rode Connect – the company’s USB-friendly podcasting app – it seems this light-weight, $99 mic may very well be extra versatile than it first appears.
If you are on the lookout for a mic on your DSLR, know that the VideoMic Go II has a chilly shoe mount, the aforementioned 3.5mm out (which can be used for monitoring) and it comes bundled with a Rycote shock mount and a windscreen within the field. There’s no secondary/security/stereo recording right here or on-mic acquire management, however that’s regular for one thing on this value vary.
Performance-wise, the sound is surprisingly wealthy for a mic of this dimension with out sounding too “dead.” There’s no notable distinction between the audio you get out of the USB port in comparison with the three.5mm port bar a bit of variation in acquire. When evaluating it towards Rode’s VideoMic Me and VideoMic NTG, the VideoMic Go II would possibly properly be my favourite of the bunch. It’s pure, centered with simply the correct quantity of ambiance/sense of area.
Where the VideoMic Go II will get extra attention-grabbing is the way it performs in different use circumstances. When plugged right into a computer and positioned on a desk the VideoMic Go II sounds simply as strong as far costlier dynamic microphones. So a lot so it threw me for a second.
Perhaps the very best illustration of that is once I examined it towards the $400 Shure SM7B and Rode’s personal $99 NT USB Mini. Given that each of the Rodes on this check are condenser microphones and price about the identical, you would possibly assume these two can be the nearer match, but it surely seems that the VideoMic Go II sounded a lot nearer to the SM7B. This isn’t to say it’s nearly as good because the SM7B (there’s a bit of extra depth within the Shure and a contact extra dynamic vary maybe) however given the disparity in value, it undoubtedly wasn’t anticipated.
This similarity is additional compounded when you think about that the completely different kind of capsule – Rode’s condenser versus Shure’s dynamic – alone would sometimes give them a really completely different sound. You can hear all three microphones within the pattern under. It begins with the Shure, then the VideoMic Go II after which the NT Mini. The transition between the primary two is refined, but the final one is apparent. Oh, and the VideoMic Go II was about two inches additional away from my mouth than the SM7B was.
Of course, this is only one check, in a single state of affairs in a single particular room. But for a fast comparability of what a $400 mic can do off the cuff in comparison with a $99 one, it’s a great place to begin. Despite the shortage of on-device controls, there are some configurable choices by way of Rode Central. When related to the app (cell or desktop) you’ll have the choice to tweak the acquire degree, apply a excessive go filter / high-frequency enhance and alter the monitoring quantity. It’s much less handy than bodily on-mic controls, however nonetheless permits you some management over the way it sounds or responds to completely different inputs. (If you are questioning, the audio above begins with the SM7B and switches to the VideoMic Go II at “two condenser microphones”).
Given that Rode added compatibility for Connect, and the USB possibility makes it telephone and tablet-friendly, all of a sudden the VideoMic Go II might very properly be a great all-rounder for the worth. A mic that has video chops however also can do double responsibility as a podcast mic (and, due to this fact an all-purpose computer mic) there seems to be a number of bang for the veritable buck.
Of course, should you actually do want one thing that information a security channel, has bodily variable acquire controls or if XLR connectivity is a should, this isn’t the one to go for. But for many common creator makes use of? It lastly won’t completely “depend on what you’re recording.”
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